About a month ago I posted Canvas, Paper, Silver, and Glass: St. Cecilia Trombone Image in Many Forms, tracing the life of an image originally conceived as a painting through several artistic media. Since then I have located two sketches of the image (source: Volk-Knüttel 31-33, pl. 101; for full citation see Trombone History Bibliography). The first drawing, in which it is a little tricky to spot the trombone, is probably a preparatory sketch for the original painting by Pieter de Witte (c. 1585); the second, which has the same dimensions as the engraving by Sadeler (c. 1590), is probably a preparatory drawing for that engraving. In total, we end up with a pretty remarkable count of two sketches, a painting, an engraving, a silver relief, and a painted glass window. And the trombone makes it through to the end!
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Two More on Paper: Sketches for St. Cecilia Trombone Images
Filed Under: Trombone History, Trombone Images, Updates Tagged With: angel concert, angel iconography, angel musicians, angeli musicanti, concert of angels, David Singing God's Praise, engelskonzert, Germany, lute iconography, lute images, Munich, music iconography, music images, music in art, organ iconography, organ images, Pieter de Witte, Pietro Candido, Renaissance, sackbut history, sackbut iconography, sackbut images, sackbut paintings, sackbut pictures, Sadeler, St. Cecilia, trombone drawings, trombone in art, trombone pictures, viol iconography, viol images, violin iconography, violin images

