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		<title>Missing Something? Bell-less Trombones in Art</title>
		<link>http://www.kimballtrombone.com/2010/missing-something-bell-less-trombones-in-art/</link>
		<comments>http://www.kimballtrombone.com/2010/missing-something-bell-less-trombones-in-art/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 21:05:54 +0000</pubDate>
		<dc:creator>wkimball</dc:creator>
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		<guid isPermaLink="false">http://www.kimballtrombone.com/?p=6845</guid>
		<description><![CDATA[The slide is one of the most identifiable visual characteristics of the trombone in artwork. However, when a slide turns up without a bell, it can be problematic. Could it still be a trombone? Are we trying too hard to make it a trombone? Was it just artist error? Artistic license? A mistake in a [...]]]></description>
			<content:encoded><![CDATA[<p>The slide is one of the most identifiable visual characteristics of the trombone in artwork. However, when a slide turns up without a bell, it can be problematic. Could it still be a trombone? Are we trying too hard to make it a trombone? Was it just artist error? Artistic license? A mistake in a restoration process? A literal representation of some unusual permutation of the trombone? An obscured area of the painting? Some other instrument? They&#8217;re all possibilities, of course.</p>
<p>I am not going to try to come to any real conclusions with this post, but I would suggest the early rear-facing trombone as one possibility. There are at least <a href="http://www.kimballtrombone.com/2009/trombone-history-early-rear-facing-trombones/">two iconographical examples of rear-facing trombones from the 17th century or earlier (see here)</a>, as well as <a href="http://www.kimballtrombone.com/tag/rear-facing-trombone/">many others from the 19th century (see here)</a>. In the case of the first three examples below with no apparent bells, the bell on a rear-facing instrument could easily be obscured by the player&#8217;s head and/or other parts of the image, such as cap, halo, and wings. In the final example, from the 19th century, the bell is very likely obscured by the player&#8217;s helmet; there are multiple other examples of <a href="http://www.kimballtrombone.com/2010/belgian-military-trombonists/">rear-facing trombones in iconography of this precise period and region</a>.</p>
<p>c. 1474—Asciano, Italy: Matteo di Giovanni&#8217;s <em>The Assumption of the Virgin</em>, the center panel of an altarpiece in S. Agostino, includes what may be an angel-trombonist along with several other angel-musicians. The instrument has what appears to be a slide but no visible bell (see below detail and full image; public domain) (Belán 111).<a href="http://www.kimballtrombone.com/wp-content/uploads/2010/06/matteo-detail.jpg"><img class="aligncenter size-full wp-image-6856" title="matteo detail" src="http://www.kimballtrombone.com/wp-content/uploads/2010/06/matteo-detail.jpg" alt="" width="410" height="347" /></a><a href="http://www.kimballtrombone.com/wp-content/uploads/2010/06/matteo-full.jpg"><img class="aligncenter size-full wp-image-6857" title="matteo full" src="http://www.kimballtrombone.com/wp-content/uploads/2010/06/matteo-full.jpg" alt="" width="485" height="887" /></a></p>
<p>1503-1529—Spain: Joan Gascó&#8217;s painting, <em>God the Father and the nine angelic choirs</em>, includes what appears to be a trombone-playing angel, grouped with 2 other wind-playing angels, although no bell is apparent on the trombone (see below detail and full image below that; public domain) (Ballester).<a style="text-decoration: none;" href="http://www.kimballtrombone.com/wp-content/uploads/2010/06/Gasco-detail.jpg"><img class="aligncenter size-full wp-image-6907" title="Gasco detail" src="http://www.kimballtrombone.com/wp-content/uploads/2010/06/Gasco-detail.jpg" alt="" width="316" height="368" /></a><a href="http://www.kimballtrombone.com/wp-content/uploads/2010/06/Gasco-full1.jpg"><img class="aligncenter size-full wp-image-6909" title="Gasco full" src="http://www.kimballtrombone.com/wp-content/uploads/2010/06/Gasco-full1.jpg" alt="" width="507" height="489" /></a></p>
<p>1598-1606—Valencia, Spain: Bartolomé Matarana paints a fresco of angel musicians in the the church of Real Colegio–Seminario de Corpus Christi that includes what are probably 2 trombones. Only the slide portions are obvious, although possible bell flares can be seen upon close inspection (see details and full image below) (Olson, Angel Musicians).<a style="text-decoration: none;" href="http://www.kimballtrombone.com/wp-content/uploads/2010/06/matarana-detail-2.jpg"><img class="aligncenter size-full wp-image-6853" title="matarana detail 2" src="http://www.kimballtrombone.com/wp-content/uploads/2010/06/matarana-detail-2.jpg" alt="" width="582" height="357" /></a> <a href="http://www.kimballtrombone.com/wp-content/uploads/2010/06/matarana-detail-1.jpg"><img class="aligncenter size-full wp-image-6852" title="matarana detail 1" src="http://www.kimballtrombone.com/wp-content/uploads/2010/06/matarana-detail-1.jpg" alt="" width="582" height="366" /></a><a href="http://www.kimballtrombone.com/wp-content/uploads/2010/06/Matarana.jpg"><img class="aligncenter size-full wp-image-6854" title="Matarana" src="http://www.kimballtrombone.com/wp-content/uploads/2010/06/Matarana.jpg" alt="" width="507" height="282" /></a></p>
<p>c. 1850—Brussels, Belgium: <em>Musicien et trompette de cuirassiers</em>, a lithograph by Henri Hendrickx, portrays a Belgian infantry musician playing on what may be a rear-facing trombone, the bell obscured by the player’s helmet (see below image; public domain) (Bibliotheque royale Albert I; Wangermée vol. 2, 263). See other Belgian rear-facing trombones from the same time period at this post: <a href="http://www.kimballtrombone.com/2010/belgian-military-trombonists/">Belgian Military Trombonists</a>.<a href="http://www.kimballtrombone.com/wp-content/uploads/2008/10/hendrickx.jpg"><img class="aligncenter size-full wp-image-2454" title="hendrickx" src="http://www.kimballtrombone.com/wp-content/uploads/2008/10/hendrickx.jpg" alt="" width="382" height="378" /></a></p>
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