Trombone
In the early 17th century, Praetorius mentioned that there was a virtuoso tenor trombone player in Poland who could play as high as a cornetto and as low as a bass trombone. Aside from that reference, one doesn’t hear a lot about Poland in the early history of the trombone. However, judging by Barbara Przybyszewska-Jarminska’s The History [...]
Yesterday I added the below entry and image to the Trombone History Timeline (17th century—2nd half). I will also be adding it to the article Backward Advances: Rear-Facing Trombones Throughout History, as well as the blog post Serpent & Ophicleide: History and Images (notice the serpent on the far right of the full image). [...]
Two weeks ago I added the below trombone history image & caption to the 17th century timeline (1st half), as well as posting The Evolution of a Trombone Painting, a blog post that included not only the painting, but several sketches that preceded it. 1644—Florence, Italy: Il Volterrano (also known variously as Baldassare Franceschini and [...]
Last week I posted Evolution of a Trombone Painting, which traced a painting through several sketches to fruition in a church fresco. This new post similarly shows several permutations of an image, though in this case, the images span a longer period of time, as they are copied by various artists. They also encompass an [...]
Several weeks ago I blogged about a red chalk drawing, recently added to the Trombone Timeline, by an artist named Il Volterrano (also known variously as Baldassare Franceschini and Franceschini Baldassare detto Volterrano). The image, a preparatory drawing for a 17th-century Florentine fresco, features trombone prominently among two other angel-musicians (with a possible additional vocalist). Included with the [...]
Quadratura is a type of illusionistic painting that interacts with a building’s architecture, often extending or altering the actual appearance of the architecture. Popular with Baroque artists, it is similar to other illusionistic techniques such as trompe-l’œil, although it tends to refer more to the “opening up” of architectural space and to a more thorough [...]