Wedding Bells: Trombone in Wedding Celebrations
February 18, 2010 by wkimball · Leave a Comment
I just added another image to the 19th century timeline, another depiction of a wedding celebration that includes trombone (c. 1885, shown below). Wedding celebrations constitute a fairly common theme in trombone history, with a total of 14 related images spread throughout the Trombone History Timeline. They’re shown together below. The bulk of them are from 16th-century festival books, but there is still a fair amount of variety in evidence, amounting to an intriguing set of images spanning nearly the complete history of the trombone.
c. 1520—Spain: The Engagement of St. Ursula and Prince Etherius, sometimes also titled St. Ursula and Prince Etherius Making a Solemn Vow, a panel painting from the Master of Saint Auta Altarpiece, depicts a trombonist with a wind band performing from a loft or window. The painting may represent the earliest visual depiction of a black trombonist (see below detail and full image; public domain) (Lisbon, Museu Nacional de Arte Antiga, Inv. No. 597) (Bowles, Musikleben 30-31).
1538—Germany: Heinrich Aldegrever portrays a trio of trombone and 2 trumpets in a woodcut titled The Brass Players (Die Posaunisten) from the series The Great Wedding Dances (see below image; public domain) (Duffin, Trompette des Menestrels).
1549—Munich, Germany: Outdoor Feast, a painting by Hans Mielich (Müelich), court painter for Duke Albrecht V, depicts an outdoor wedding banquet. The music ensemble includes 2 trombone players, one of whom appears to have multiple instruments in his hands and is apparently in the act of switching from one trombone to another. The painting also shows, in a different area, a dance band consisting of 2 trombones and another instrument (probably a shawm) (see below image; public domain) (Kenton plate 14; Buchner plate 95).
1566—Giorgio Vasari’s image of a muse holding an instrument features what Edmund Bowles labels an alto trombone. If it is indeed a trombone, it is a somewhat awkwardly-rendered depiction. The image is associated with a performance of The Genealogy of the Gods for the wedding festivities of Prince Francesco de’ Medici and Johanna of Austria (see below image from festival book; public domain) (Bowles, Musical Ensembles 55).
1580—Innsbruck, Austria: A procession to a tournament that is part of marriage celebrations of Johann Lipsteinsky von Kolowrat and Katharina von Boymont und Pairsberg includes a trio of dulzian and 2 trombones (see below image from festival book; public domain) (Bowles, Musical Ensembles 85, 89).
1582—Dresden, Germany: In a procession celebrating the marriage of Christian I of Saxony, a symbolic entourage of Bacchus includes a quartet of 2 trombones, cornett, and tenor shawm (see below image from festival book; public domain) (Bowles 103-4).
1584—Dresden, Germany: A procession during wedding festivities for Balthasar Wurm and Anton von Sahlhausen at the court of Saxony, includes 8 musicians dressed as women, playing trombone, lute, cittern, treble viol, bass recorder, tenor viol, transverse flute, and clavichord; a graphic representation of the procession shows the trombone at the head of the group (see below image from festival book; public domain). Another ensemble in the procession consists of bass recorder, cornetts, bombard, and trombones (Bowles, Musical Ensembles 105, 107).
c. 1600—Fackeltanz bei Fürstenhochzeit, an anonymous image, possibly from Germany, depicts a torch dance at a prince’s wedding. Instrumentalists supplying the dance music from a balcony include a tombonist (see below image; public domain) (Salmen, Tanz im 17 153).
1609—Stuttgart, Germany: At the wedding celebrations of Archduke Johann Friedrich of Württemberg-Teck and Markgräfin Barbara Sophia of Brandenburg, a trio of trombone, cornetto, and bombard is featured in the Entourage of Young Court Noblemen (see below image from festival book; public domain) (Bowles, Musical Ensembles 177). In a separate performance, “As soon as the noble party had arrived at the [court] chapel, there could be heard the trombones, trumpets and kettledrums [along] with two choruses placed opposite each other” (Bowles, Timpani 370). Also in connection with the celebrations, according to records of the time, “There was a completely glorious musical performance, with 20 voices and five ensembles with all kinds of instruments, such as lutes, fiddles, bassoons, dulzians, cornetts, trombones and others” (Bowles, Musical Ensembles 167).
1650—Turin, Italy: Marriage festivities for Princess Adelaide of Savoy and Prince Ferdinand Maria of Bavaria include trombones. First, on the way to the Cathedral of San Giovanni for the service itself, “Swiss Guards and arquebusiers of Their Majesties…lent their presence to the retinue setting out for the cathedral from the great hall of the palace [along] with trumpets, trombones, oboes and drums.” After the wedding service there are “signals by trumpets and trombones to those present who, because of the huge crowd, couldn’t observe the nuptials.” Later, during a series of races in the palace courtyard, races alternate with musical performances by musicians in a gallery (see below image from festival book; public domain): “From the other palace, above the gallery, among the various events alternating with the races was the reverberation of the sound of an ensemble of instruments; that is, trumpets which, animated by the virtue of such glorious love [of the newlyweds] became the voices of Fame; trombones, which, with harmonious notes echoed the praises of everyone, rousing more ardently by the hour the affections…” (Bowles 275-279).
c. 1855—Artist Albert Kindler includes a trombonist in his painting After the Wedding. The trombonist stands in the musicians’ boat in the background (see below detail and full image below; public domain).
c. 1860—Peru: Artist Pancho Fierro depicts a trombonist performing with a wind band for a Peruvian wedding celebration in Fiesta de Matrimonio (see below detail and full image below; public domain) (Lavalle 38).
c. 1885—Norway: A wood engraving titled A Gay Procession, signed by Günther, depicts what is probably a wedding procession in the Norwegian countryside. A trombonist leads the way, accompanied by trumpet and horn (see below image; public domain) (source: New York Public Library Digital Gallery).
c. 1890—Italy: Antonio Lonza’s painting, Newly Married Couple, includes a trombonist as part of an ensemble performing outdoors for a wedding celebration. The trombone appears to have a double slide (see below image, after Lonza painting; public domain) (Seidl, vol. 2, 325).
Trombone Images from 19th Century London Newspapers
February 13, 2010 by wkimball · Leave a Comment
I have recently added quite a few trombone images to the 19th century timeline. Many of them originate from London. Collected below are all the pictures from the 19th century timeline that come from London. As it turns out, they are all from newspapers. Several are humorous in nature. A couple of them focus on waits, by then an old-fashioned ensemble tradition. As a group, the images provide an interesting glimpse into the way trombone was viewed in Romantic-era London.
1846—London, England: An image printed in the London Daily News depicts a “monster concert” staged by Louis Antoine Jullien at Covent Garden. The performing forces, comprised of Jullien’s orchestra and 4 military bands, include at least 7 trombones: 4 at the top of the first section, and 3 on the third row of the steeper risers (see below image; public domain) (Remnant, Musical Instruments of the West 218).
1853—London, England: H.G. Hine’s The Waits at Seven Dials portrays a group of “Christmas waits” or street musicians, including a trombonist. After the Municipal Corporations Act of 1835, there were no more official waits as funded by British municipalities, but ad hoc musicians would often form at Christmas time in hopes of raising money (see below image; public domain) (Illustrated London News, December 1853).
1858—London, England: An illustration of the band of the French National Guard published in London’s Illustrated Times includes trombone (see below image; public domain).
1872—London, England: A humorous depiction of an ensemble titled German Band is published in The Graphic, an illustrated weekly newspaper (see below image; public domain).
1896—London, England: The Illustrated London News publishes a print by A. Forester called Rival Waits, featuring a trombonist with aggressive technique (see below image; public domain) (Illustrated London News, Dec 19, 1896).
Trombone History: The Trombone and Altarpieces
January 27, 2010 by wkimball · Leave a Comment
I recently added the below altarpiece to the 16th century timeline. The religious significance of the early trombone is actually reflected in several altarpieces from the 16th and early 17th centuries; I’ve included 5 others in this blog post, all of them currently shown in the timeline. Unlike the trombones on organ cases, which are clearly centered in Germany, the altarpieces seem to be spread throughout Europe.
Peter Spring altarpiece, Fribourg
1592-1601—Fribourg, Switzerland: The Augustinian monastery’s altarpiece by Peter Spring depicts a group of angel-musicians, including an angel playing a trombone (see above image; public domain) (Wold 82).
Detail, The Engagement of St. Ursula and Prince Etherius
The Engagement of St. Ursula and Prince Etherius
c. 1520—Spain: The Engagement of St. Ursula and Prince Etherius, sometimes also titled St. Ursula and Prince Etherius Making a Solemn Vow, a panel painting from the Master of Saint Auta Altarpiece, depicts a trombonist with a wind band performing from a loft or window. The painting may represent the earliest visual depiction of a black trombonist (see above detail and full image; public domain) (Lisbon, Museu Nacional de Arte Antiga, Inv. No. 597) (Bowles, Musikleben 30-31).
Detail, Hans Baldung, Coronation of the Virgin
Hans Baldung, Coronation of the Virgin
1516—Freiburg, Germany: Hans Baldung’s painting, Coronation of the Virgin, the central panel of an altarpiece located in the Freiburg Cathedral, includes an angel-trombonist among a group of angels playing wind instruments above and to the left of the Virgin (see above detail and full image; public domain) (Burkhard pl. 2).
Detail, Elsheimer, The Exaltation of the Cross
c. 1595—Frankfurt, Germany: Adam Elsheimer’s, The Exaltation of the Cross, part of an altarpiece of several copper panels, portrays an angel playing trombone among a group of other angel musicians. Elsheimer, known for his variety of light effects, places the trombonist near the burst of light at the top of the painting (see above detail; public domain: wikimedia commons) (Klessmann).
Lastmann, David in the Temple
1618—Pieter Lastmann’s altar scene, David in the Temple, portrays a trombone performing with voices, tamborine, pommer, and 2 string instruments (see above image; public domain) (Kinsky 177; Buchner 254).
Bueno and Cano, Virgin of the Rosary altarpiece
c. 1620-24—Seville, Spain: The altarpiece of the Virgin of the Rosary of the Parish of Santa Ana, probably painted by Diego López Bueno and Miguel Cano, includes a depiction of an angel playing trombone (see bottom-right of above image; public domain image) (Alonso Cano 613).
Still Another 17C Italian Angel-Trombonist
December 26, 2009 by wkimball · Leave a Comment
Added the below images and caption to the Early 17th Century Trombone History Timeline. The instrument appears to be a trombone, although the left-hand grip of the player is unusual. Again, like many other frescoes from this region and time period, the image would seem to reflect the religious connections in trombone history.
1623—Varese, Italy: Cappella XI, cappella della Resurrezione, of Sacro Monte, is completed. The semicircular apse features a fresco by Isidoro Bianchi that includes what is probably a trombone among one group of angel-musicians (see facing detail and bottom-left of full image, below; click for larger image; public domain) (Angelis 147).
Angel-Trombonists, Italian Painters, and the 17th Century
December 16, 2009 by wkimball · Leave a Comment
Added another image of an angel-trombonist to the Early 17th Century Timeline (see images and timeline entry, below). Trombone history seems to replete with these striking paintings, particularly by Italian artists, depicting the sacred nature of the trombone. See especially 17th Century (first half) and 17th Century (second half).
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c. 1641—Prosto di Piuro, Valchiavenna, Italy: A fresco in the vault of the presbytery of chiesa dell’Assunta painted by either Giovan Battista Recchi or his brother, Giovan Paolo Recchi, includes a trombonist among several angel musicians (see facing detail and full image, below; public domain) (Pescarmona 77).
Trombone History: What a Relief
December 8, 2009 by wkimball · Leave a Comment
Added the following image and entry to the 17th century (first half) trombone history timeline:
1602—Weikersheim Castle, Germany: An organ for the castle chapel is made by Georg Schweitzer. The case just below the organ contains an image of a trombonist performing with a flute, viol, and organ (see facing detail and full image below; public domain) (Völkl 39).
Trombone History: Another Curious Image
December 7, 2009 by wkimball · Leave a Comment
Added the below trombone images and entry to the 16th Century (first half) Timeline. This particular trombone image shows characteristics of both a slide trumpet (e.g., the long bell section, the low brace between bell and slide that would preclude movement of a double slide) and a trombone (e.g., a possible double slide, the overall length, the way the instrument is not being gripped near the mouth, and the curve of tubing that extends behind the head). This depiction’s ambiguity places it among other “Curious Images” that may represent the transition between slide trumpet and trombone. As always, the thing to remember, of course, is that artwork is not always literal.
1608—Gravedona, Italy: Glory of God the Father and the Angels, a fresco by Giovanni Mauro della Rovere (also known as Fiammenghino), located in the Church of Santi Gusmeo e Matteo, includes a depiction of what could be a trombone. The instrument has characteristics of both slide trumpet and trombone; it could simply be an awkwardly-rendered depiction of either instrument. Other nearby angel-musicians play viol, organ, flute, and lute (see facing detail and medium detail below; public domain) (Angelis 43).
Trombone History: Angel-Trombonist in 16th Century Altarpiece
November 24, 2009 by wkimball · Leave a Comment
Added a really nice painting by German artist Hans Baldung to the 16th Century Timeline, dating from fairly early in the history of the trombone. The angel’s grip of the slide is interesting, but probably not a literal representation. In general terms, notice the fairly equal balance of religious versus secular trombone iconography from the 16th century.
1516—Freiburg, Germany: Hans Baldung’s painting, Coronation of the Virgin, the central panel of an altarpiece located in the Freiburg Cathedral, includes an angel-trombonist among a group of angels playing wind instruments above and to the left of the Virgin (see facing detail and full image, below; public domain) (Burkhard pl. 2).
Trombone History: early rear-facing trombones
November 12, 2009 by wkimball · Leave a Comment
Found the below Italian fresco that features a rear-facing (or over-the-shoulder) trombone and added it to the early 17th century timeline. I know of only one other pre-19th century image that clearly shows such an instrument; I’ve included that image in this post as well (1578). (I have seen a few others that seem to suggest a similar instrument but are more vague, sometimes simply showing what appears to be a slide portion with no bell at all.) The fresco from c. 1615 is also of interest because it has only recently been restored (and, indeed, at the base of the photograph you can see what appear to be some restoration materials). Also noteworthy is the trombone’s bell flare, which is more prominent than usual for this early date. Finally, as I have mentioned several times, it is quite arresting just how many trombone images originate from the 50-year period of 1601-1650.
c. 1615—Cislago, Italy: The Church of Santa Maria della Neve contains an anonymous fresco lunette featuring several angel musicians, including a trombonist. The trombone is particularly noteworthy because it is a rear-facing (sometimes called “over-the-shoulder”) instrument, an unusual configuration for this early date (see facing image; public domain) (Morandi; Farioli). For another early rear-facing instrument, see 1578 in the 16th century timeline, where a cherub-trombonist is featured. In later centuries, particularly the 19th century, rear-facing trombones become much more common; the 19th century timeline includes at least 9 such images.
1578—Antwerp, Belgium: A set of masses by George de La Hele includes an image–an initial D in front of a group of cherub musicians–that features a rear-facing trombone being played by a cherub (also rear-facing) (see facing image; public domain; Wangermée vol. 1 167).
Trombone History: Two very different images
November 9, 2009 by wkimball · Leave a Comment
Added the following images, quite a bit different in character, to the 17th Century (first half) and 19th Century timelines, respectively. The similarity, of course, is that they both include a trombone.
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c. 1610—Antwerp, Belgium: Hendrick van Balen’s painting, The Banquet of the Gods, includes a trombone resting on the ground among several other instruments (see bottom right of facing detail; public domain image). For other paintings by the same artist that include trombone, see c. 1615 and c. 1625.
1858—London, England: An illustration of the band of the French National Guard published in London’s Illustrated Times includes trombone (see facing image; public domain).