WILL KIMBALL» trombone and voices http://www.kimballtrombone.com Trombone Wed, 08 Feb 2012 06:59:50 +0000 en hourly 1 http://wordpress.org/?v=3.3.1 Trombone History: Bruckner and the Trombone http://www.kimballtrombone.com/2009/trombone-history-bruckner-and-the-trombone/ http://www.kimballtrombone.com/2009/trombone-history-bruckner-and-the-trombone/#comments Mon, 30 Nov 2009 17:34:56 +0000 wkimball http://www.kimballtrombone.com/?p=4413 Added the below new entries to the 19th century timeline (2nd half) on Bruckner’s use of trombone with voices from Mary Rasmussen’s “A Bibliography of Choral Music with Trombone Ensemble Accompaniment, as Compiled from Eleven Selected Sources” Brass Quarterly 5 (Spring 1962), 109-113.

c. 1850—Anton Bruckner’s Psalm CXIV calls for 5 voices and 3 trombones. In addition, a manuscript fragment labeled Missa pro Quadragesima indicates a separate work scored for voices, organ, and trombones (Rasmussen, A Bibliography of Choral Music).

1854—Anton Bruckner’s Libera is scored for 5 voices, 3 trombones, and organ (Rasmussen, A Bibliography of Choral Music).

1861—Anton Bruckner’s Offertorium is scored for voices, 3 trombones, and organ (Rasmussen, A Bibliography of Choral Music).

1868—Anton Bruckner’s Inveni David is scored for men’s voices and 4 trombones (Rasmussen, A Bibliography of Choral Music).

1884—Anton Bruckner’s Christus factus est calls for 6 voices and trombones (Rasmussen, A Bibliography of Choral Music).

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